Adventures In Audio
Ueberschall Releases BPM120 Drum and Percussion Module

Press Desk

Our Press Desk collects press releases from audio manufacters, software developers, and instrument manufacturers and distributors. All content is created by the original company or their PR representives and is only lightly edited for clarity where necessary.

Thursday January 1, 2004

October 7, 2004

BPM120 is a 2.4 GB Drum & Percussion Loop Library from Ueberschall, paired with the ULP audio engine supporting RTAS and VST formats on both Windows and Mac.

A range of styles are present in this collection, ranging from rock and metal to funk and world rhythms, with both acoustic and electronic sounds. All loops were recorded at 120 BPM, and make use of Prosoniq's MPEX2 timestretching technology to allow adjustments from 60 to 240 BPM.

BPM120's Loopeye provides a circular representation of the loop waveform, allowing you to adjust the start and end points of the loop, creating your own variations. There are also analog-style filters to shape the sounds.


Supported Interfaces

MSRP $199.95.

For more information, visit their web site at

Come on the Audio Masterclass Pro Home Studio MiniCourse - 60 great hints and tips to get your home recording studio MOVING

It's FREE!

Get It Now >>

How to choose the best key for your song

What is comb filtering? What does it sound like?

NEW: Audio crossfades come to Final Cut Pro X 10.4.9!

What is the difference between EQ and filters? *With Audio*

What difference will a preamp make to your recording?

Watch our video on linear phase filters and frequency response with the FabFilter Pro Q 2

Read our post on linear phase filters and frequency response with the Fabfilter Pro Q 2

Harmonic distortion with the Soundtoys Decapitator

What's the best height for studio monitors? Answer - Not too low!

What is the Red Book standard? Do I need to use it? Why?

Will floating point change the way we record?

Mixing: What is the 'Pedalboard Exception'?

The difference between mic level and line level

The problem with parallel compression that you didn't know you had. What it sounds like and how to fix it.

Compressing a snare drum to even out the level

What does parallel compression on vocals sound like?

How to automate tracks that have parallel compression

Why mono is better than stereo for recording vocals and dialogue

Clipping and compressing a drum recording to achieve an exciting sound texture

What can we learn about room acoustics from this image?

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

What is the best studio microphone?

What is the Neve sound? (Using the Slate Digital FG-73)

What is the difference between recording, mixing and mastering?