Adventures In Audio
Rupert Neve Designs Portico 5043 Limiter-Compressor Duo

Press Desk

Our Press Desk collects press releases from audio manufacters, software developers, and instrument manufacturers and distributors. All content is created by the original company or their PR representives and is only lightly edited for clarity where necessary.

Thursday November 30, 2006

Rupert Neve Designs, Inc. announces the launch of the Portico™ 5043 Limiter-Compressor Duo, delivering two channels of unobtrusive, musical-sounding dynamics as well as brickwall limiting in a half rack 1RU space. The 5043 Limiter-Compressor features fully controllable dual mono or stereo operation plus innovative feedforward/feedback detection switching and yields a combination of rich warmth, flexibility and precision.

Perhaps the most significant aspect of the Portico 5043 is the ability to switch between feedforward and feedback detection. In most of Mr. Rupert Neve's earliest designs, feedback detection -- controlling the VCA with a rectified voltage from the unit's output -- was intrinsic to the musical dynamic response. However, the very nature of a feedback compressor limits the attack time of the compression circuit. To offer faster, more technically accurate response times, feedforward detection was implemented on all of Mr. Rupert Neve's more modern designs.

Conceived, designed and built in the Texas Hill Country by Rupert Neve Designs, the 5043 is the first Portico module created to utilize the secondary buss signal outputs incorporated into the product range. By accepting buss outputs from other units in the Portico range, chains of modules may now be integrated into flexible arrays, configured to function as cue feeds, solo busses, or secondary outputs.

Each channel of the 5043 encompasses individually controllable threshold, makeup gain from -6dB to +20dB, ratio and VCA detection mode (feedforward/feedback). The channels may be used independently or connected in sequence to provide two separate control slopes on a single source. The D.C. control circuits may be linked via a front panel push-button so that the level of each channel may be held in a constant relationship for stereo operation. With the compressor inactive, the 5043 may be used as a transformer-coupled, high-performance line amplifier.

Rear panel connections are provided to enable the linking of multiple Portico 5043s. The 5043 can link both internal control lines or multiple additional 5043s, enabling one of them to serve as "master." When either the buss or line level input is selected, custom-designed transformers couple the input and output to create a true floating ground, ensuring compatibility with modules outside of the Portico Range, and imparting rich warmth.

For more information, visit their web site at

Come on the Audio Masterclass Pro Home Studio MiniCourse - 60 great hints and tips to get your home recording studio MOVING

It's FREE!

Get It Now >>

How to choose the best key for your song

What is comb filtering? What does it sound like?

NEW: Audio crossfades come to Final Cut Pro X 10.4.9!

What is the difference between EQ and filters? *With Audio*

What difference will a preamp make to your recording?

Watch our video on linear phase filters and frequency response with the FabFilter Pro Q 2

Read our post on linear phase filters and frequency response with the Fabfilter Pro Q 2

Harmonic distortion with the Soundtoys Decapitator

What's the best height for studio monitors? Answer - Not too low!

What is the Red Book standard? Do I need to use it? Why?

Will floating point change the way we record?

Mixing: What is the 'Pedalboard Exception'?

The difference between mic level and line level

The problem with parallel compression that you didn't know you had. What it sounds like and how to fix it.

Compressing a snare drum to even out the level

What does parallel compression on vocals sound like?

How to automate tracks that have parallel compression

Why mono is better than stereo for recording vocals and dialogue

Clipping and compressing a drum recording to achieve an exciting sound texture

What can we learn about room acoustics from this image?

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

What is the best studio microphone?

What is the Neve sound? (Using the Slate Digital FG-73)

What is the difference between recording, mixing and mastering?