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Noise gate controls

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  • The Threshold control sets the level at which the gate will decide
    whether to open or close.  
     
    When the signal is above the threshold, the gate will be open. When it is
    below the threshold, the gate will be closed. With the control set at minimum,
    the signal will always be above the threshold, even when only noise is present.
     
     
    With the control set to maximum, then the signal will never rise above the
    threshold and the gate will be closed. Somewhere in between there will be
    an optimum point where the wanted signal gets through, and the unwanted noise
    is blocked. It is important to make sure that when the musician plays, the
    first note gets through, right from the initial attack.  
     
    Also, when the musician stops, the decay of the last note is maintained adequately
    before the gate closes. There are controls other than the threshold control
    that influence this, but the threshold must be set as precisely as possible
    before continuing. 
     

  • The Range control sets the degree of attenuation when the gate is
    closed.  
     
    Noise gates are commonly set to maximum attenuation unless there is a good
    reason to do otherwise. On a single signal, the gating effect will be obvious,
    but of course it should not be so in the context of the entire mix.  
     
    If the opening and closing of the gate is still noticeable, then the range
    control should be set to achieve the best compromise. 
     

  • The Hold control sets a time period during which the gate will remain
    fully open, even though the signal has just dropped below the threshold.  
     
    If the hold time is set to zero, when the signal crosses the threshold there
    will be a period of uncertainty when the gate doesn't know for sure whether
    it is supposed to be open or closed and it will change state rapidly a number
    of times, causing what is sometimes known as 'jitter' (not to be confused
    with digital jitter).  
     
    The hold control is usually set to the minimum value that causes jitter to
    cease. (Some gates alternatively have a Hysteresis control. This sets
    a separate threshold for signals that are rising in level than for signals
    that are falling in level. Having a variable hysteresis control is actually
    better than having a hold control. 
     

  • The Attack and Decay (also known as Release) controls
    are used to shape the envelope of the sound as it comes in and goes away with
    the object of changing smoothly from silence to signal, then signal back to
    silence, without cutting off any of the wanted sound, nor letting any noise
    get through. 
     

  • Stereo Link is a function only used when applying a twin channel
    gate to a stereo signal.  
     
    An example would be an instrument played through a noisy old analog chorus
    unit (because you just like the sound!). When this is on, both channels are
    forced to open and close at the same time.  
     
    If this is left off for a stereo signal, no matter how carefully you set the
    threshold controls the channels will change state at slightly different times.
    You won't believe how dreadful it sounds until you try it.

David Mellor

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David Mellor