June 16, 2004
On June 24, 1999, Christie's New York organized A Selection of Eric
Clapton's Guitars - In Aid of the Crossroads Centre. Exactly five years later,
on June 24, 2004, Christie's will present the sequel when a group of 56 guitars,
described by Eric Clapton as "the cream of my collection," as well as instruments
donated by musician friends such as Pete Townshend, will be offered. Featuring
iconic instruments such as 'Blackie' and the cherry-red 1964 Gibson ES-335,
proceeds from the Crossroads Guitar Auction - Eric Clapton and Friends for
the Crossroads Centre will benefit the Crossroads Centre in Antigua.
Referring to the selection of guitars that will be offered in this sale, Eric
Clapton said: "These guitars are in fact the ones that I kept back from the
first auction because I seriously couldn't consider parting with them at that
point ... I think they are a really good representation of Rock Culture ...
all great Rock and Blues guitars."
Eric Clapton's Guitars
One of the most illustrious guitars to come up for sale is undoubtedly 'Blackie,'
the composite Fender Stratocaster, circa 1956, which in Eric Clapton's own
words "has become part of me" (estimate: $100,000-150,000). The guitar is uniquely
personal to Eric Clapton since he created the instrument himself, combining
different components from three separate Stratocasters purchased in Nashville
in 1970. Clapton has tremendous affection for this guitar, and had an intense
working relationship with Blackie throughout the 1970s and early 1980s. 'Blackie'
also served as the template for the 'Eric Clapton Signature Stratocaster' -
custom guitars produced by Fender in collaboration with Clapton - which went
into production in 1988. Included in the sale is the very first black version,
used by Clapton extensively from 1990 onwards, and well known to Clapton fans
A rival to 'Blackie' in ranking is Clapton's 1964 cherry-red Gibson ES-335.
This famous Gibson is the second electric guitar Eric Clapton ever bought,
and as such it is the one he has owned the longest and is most sentimental
about (estimate: $60,000-80,000). His interest in this type of guitar was initially
triggered by a record cover featuring Blues legend Freddy King with a similar
model. As soon as Clapton had saved up enough money playing with the Yardbirds,
he bought this Gibson. For Clapton this guitar represented "...a Rock guitar
and a Blues guitar ... The 'Real Thing.'" Although most fans associate the
ES-335 with his days with Cream, Clapton actually used this guitar throughout
his career, from his time with the Yardbirds until today. He says of it: "No
other tool in my life has been as long-serving." The guitar will be offered
with its case, which has the word 'Cream' and the initials 'EC G ES' stenciled
in white paint on the exterior.
Of very recent history, although a colorful one, is that of 'Crash 3,' Clapton's
newest graffiti Fender Stratocaster (estimate: $4,000-6,000). It was designed
by the famous street-artist Crash with a vividly colorful pattern. Eric Clapton
first used a Graffiti Stratocaster at the Royal Albert Hall, London in 2001
and they have become his first choice working guitar ever since. This is also
the first of Clapton's collection of graffiti guitars to appear on the market.
Eric Clapton became fascinated with the guitars of C.F. Martin & Company,
which he associated mainly with the 000-type instruments used by blues guitarists
such as Big Bill Bronzy. In 1970, he acquired one of his first Martins, a 1966,
000-28/45-model, which he bought at the Nashville Tennessee GTR shop (now George
Gruhn Guitars) when he was doing the Johnny Cash show (estimate: $20,000-30,000).
The guitar became known as 'The Longworth,' after the guitar maker who embellished
the instrument with exquisite abalone inlay. It is a guitar that has "a deep
association" for Clapton and one that he used on stage throughout the 1970s.
It also features on the back cover of the '461 Ocean Boulevard' album.
Once on the Martin track, Clapton became intrigued by the models created prior
to World War II and started collecting them. Smaller in body size, these guitars
are less powerful, but Clapton liked them visually and used them constantly
when playing at home. The sale offers a 1939, 000-42 Martin, the instrument
he played on the 'Unplugged' album (estimate: $60,000-80,000); another 000-42,
also from 1939 (estimate: $40,000-60,000) and a 1929, 00-45 (estimate: $35,000-55,000).
Several of the guitars offered for sale carry great stories, revealing Eric
Clapton as a man who constantly intertwines daily life with his instruments
and vice versa. The 12-string guitar he codesigned with Tony Zemaitis in 1969
is an example (estimate: $30,000-50,000). This instrument, nicknamed 'Ivan,'
was modeled after a Zemaitis instrument that Clapton, aged 13, had seen being
played in the streets of London by a Bohemian street musician called 'Buck.'
Years later, he discovered Tony Zemaitis and made this instrument with him.
With its massive body, 'Ivan' is not easy to play but Clapton loved its sound
and played it extensively with Blind Faith.
Other guitars personally owned by Eric Clapton include a custom, gold-leaf
decorated Fender Stratocaster, numbered EC-1, commemorating the 50th anniversary
of the model (estimate: $8,000- 12,000); the Gibson L-5-P, 1948, fitted with
Alnico pickups (estimate: $20,000-30,000); and the Fender Stratocaster, known
as "The Rainbow Rod," circa 1996, with an iridescent finish, created by Roy
Brizio, the famed Californian hot rod builder (estimate: $5,000-7,000).
The Who guitarist Pete Townshend, famous and notorious for his wild live performances,
is donating a Townshend Signature SG Gibson guitar (estimate: $3,000-5,000).
This guitar comes with an array of accessories especially created for the new
owner, including two guitar cases, a CD recording of Townshend playing the
instrument, an official donation letter from Townshend to Clapton, a certificate
of the guitar, and a polaroid of Townshend with it.
Also included is Sonny Landreth's custom 1995 Gibson Firebird (estimate: $1,500-2,500),
which he played during the Gibson show at Anaheim NAMM in California in 1997.
Landreth used it for 'Turning Wheel' on the 'South of I-10' album and again
with John Hiatt and the Goners in 1999.
Other instruments will include Brian May's Les Paul Model guitar (estimate:
$1,000-1,500); J.J. Cale's 1979 Stratocaster (estimate: $1,500-2,500); a Gibson
ES-335 signed by Otis Rush (estimate: $2,500-3,000); and a Gibson B.B. King
Lucille model, signed by King himself (estimate: $1,500-2,000).
Founded in 1997, Crossroads Centre, Antigua was created to provide treatment
and education to the chemically dependent person, those with other compulsive
addictive behaviors, their families and significant others. Treatment is provided
through residential care, family and aftercare programs. The pathway to recovery
is founded on the movement toward a change in lifestyle. Crossroads Centre,
Antigua also operates a 16-bed halfway house called The Bevon House and facilitates
a school-based education series, Breaking the Cycle.
For more information, visit their web site at www.christies.com
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