Adventures In Audio
BSM Extends Treble Booster Lineup with VX-T

Press Desk

Our Press Desk collects press releases from audio manufacters, software developers, and instrument manufacturers and distributors. All content is created by the original company or their PR representives and is only lightly edited for clarity where necessary.

Thursday January 1, 2004

September 7, 2004

The BSM VX-T model is based on the Vox Treble & Bass booster made in the
late 60's in the UK and used by many British bands at the time. The VX-T
improves upon the original with a tighter, more powerful low end response.

The VX-T model features a single tone control for shaping the sound. When
knob is set to maximum, the unit will produced a very glassy tone - like the "jingle
jangle" sound of Roger McGuinn in the mid 1960's Byrds. When a middle setting
is dialed in, the result is a punchy tone with mild highs and bottom, somewhat
like a wahwah pedal set in the middle position, emulating the sound of Michael
Schenker in UFO or Mick Ronson, in the early 1970's "Spiders from Mars" band.
Set to the minimum, the unit produces a bluesy bottom end with some mids and

The unit will be available shortly in a very limited run.


Distributed in North America by European Musical (

For more information, visit their web site at

Come on the Audio Masterclass Pro Home Studio MiniCourse - 60 great hints and tips to get your home recording studio MOVING

It's FREE!

Get It Now >>

How to choose the best key for your song

What is comb filtering? What does it sound like?

NEW: Audio crossfades come to Final Cut Pro X 10.4.9!

What is the difference between EQ and filters? *With Audio*

What difference will a preamp make to your recording?

Watch our video on linear phase filters and frequency response with the FabFilter Pro Q 2

Read our post on linear phase filters and frequency response with the Fabfilter Pro Q 2

Harmonic distortion with the Soundtoys Decapitator

What's the best height for studio monitors? Answer - Not too low!

What is the Red Book standard? Do I need to use it? Why?

Will floating point change the way we record?

Mixing: What is the 'Pedalboard Exception'?

The difference between mic level and line level

The problem with parallel compression that you didn't know you had. What it sounds like and how to fix it.

Compressing a snare drum to even out the level

What does parallel compression on vocals sound like?

How to automate tracks that have parallel compression

Why mono is better than stereo for recording vocals and dialogue

Clipping and compressing a drum recording to achieve an exciting sound texture

What can we learn about room acoustics from this image?

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

What is the best studio microphone?

What is the Neve sound? (Using the Slate Digital FG-73)

What is the difference between recording, mixing and mastering?