Adventures In Audio
Blue Sky Introduces MediaDesk Desktop Monitoring System

Press Desk

Our Press Desk collects press releases from audio manufacters, software developers, and instrument manufacturers and distributors. All content is created by the original company or their PR representives and is only lightly edited for clarity where necessary.

Thursday January 1, 2004
FREE EBOOK DOWNLOAD ►

August 20, 2004

Blue Sky International is introducing MediaDesk, a new compact
2.1, full-range monitoring solution designed specifically for critical mixing
and monitoring on the desktop. Ideal for computer-driven audio recording
and production in a close-field environment (less than one meter), MediaDesk
incorporates two Blue Sky ultra-compact amplified satellite speakers, with
a complementary powered subwoofer.

Employing Blue Sky's proprietary computer optimized crossover and 2.1 bass
management network, MediaDesk delivers full-range audio from the subwoofer
to the main monitors with smooth on- and off-axis frequency response. As with
all Blue Sky International systems, MediaDesk can be easily upgraded to a space-efficient
5.1 multi-speaker system with an upgrade kit that includes three more satellite
speakers, a three channel amplifier, 5.1 bass management and a wired remote
volume control with channel level trims.

At the heart of the system is a pair of Blue Sky MediaDesk 2-way satellite
speakers, each featuring a 4" Neodymium hemispherical driver and a 1" soft
dome Neodymium tweeter. Powered by a custom designed, low-distortion 60-Watt
amplifier located in the subwoofer, each MediaDesk Satellite Speaker delivers
a frequency response of 110 Hz to 20 kHz +/- 3 dB. The speaker level output
connections are gold-plated binding posts and all required speaker cables are
included. In addition, the satellite speakers are housed in solid 3/4" MDF
enclosures with a lacquer finish front baffle, measure 9.5"H x 6.25"W x 6.22"D,
weigh 5 lbs. (each), feature full video shielding and come standard with (1/4" x
20) mounting inserts that are compatible with OmniMount series 10 brackets
and BT Technologies BT-5 brackets.

The Blue Sky MediaDesk Subwoofer was specifically designed to complement the
MediaDesk satellite speakers. Featuring a cast aluminum frame, 8" forward-firing
driver with 1.5" voice coil, the MediaDesk Subwoofer has a dedicated 60-Watt
amplifier with a frequency response of 35 Hz to 110 Hz 3 dB (anechoic) and
a typical in-room response of 20 Hz to 110 Hz (for a 1500 cubic foot room).
Measuring 15"H x 14"W x 15"D and weighing 45 lbs., the MediaDesk Subwoofer
also features MDF construction and four removable spiked feet with M6 x 1 inserts.

MediaDesk features analog RCA (-10 dBv) and balanced XLR inputs (switchable
from +12 dBu to +24 dBu maximum input level), providing the ability to interface
MediaDesk to the latest consoles, digital audio workstations, soundcards and
other consumer gear. In addition, MediaDesk has a built-in 2.1 bass management
system with a 4th order 110 Hz Linkwitz-Riley low-pass filter and 2nd order
110 Hz high-pass filter for the satellite. Rear panel functions include a Subwoofer
and Master Volume control, an input attenuator switch, voltage selector switch
(115V or 230V) and a 2.1/5.1 mode switch.

For more information, visit their web site at www.abluesky.com

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

Come on the Audio Masterclass Pro Home Studio MiniCourse - 60 great hints and tips to get your home recording studio MOVING

It's FREE!

Get It Now >>

How to choose the best key for your song

What is comb filtering? What does it sound like?

NEW: Audio crossfades come to Final Cut Pro X 10.4.9!

What is the difference between EQ and filters? *With Audio*

What difference will a preamp make to your recording?

Watch our video on linear phase filters and frequency response with the FabFilter Pro Q 2

Read our post on linear phase filters and frequency response with the Fabfilter Pro Q 2

Harmonic distortion with the Soundtoys Decapitator

What's the best height for studio monitors? Answer - Not too low!

What is the Red Book standard? Do I need to use it? Why?

Will floating point change the way we record?

Mixing: What is the 'Pedalboard Exception'?

The difference between mic level and line level

The problem with parallel compression that you didn't know you had. What it sounds like and how to fix it.

Compressing a snare drum to even out the level

What does parallel compression on vocals sound like?

How to automate tracks that have parallel compression

Why mono is better than stereo for recording vocals and dialogue

Clipping and compressing a drum recording to achieve an exciting sound texture

What can we learn about room acoustics from this image?

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

What is the best studio microphone?

What is the Neve sound? (Using the Slate Digital FG-73)

What is the difference between recording, mixing and mastering?