Adventures In Audio with Audio Masterclass
Recording SoftWare for Blind people. Can anybody Please help?

AMS-Neve Capricorn Digital Mixing Console (part 3)


The benefit of having a reasonable amount of knobs, buttons and faders is
that nothing is more than a couple of key presses away. Maybe we should award
some kind of booby prize for the piece of equipment that has the function requiring
the most key presses to access. Any nominations? Looking at this from the opposite
angle, I know it’s considered very macho to operate a console with thousands
of knobs and switches, but is it really the best way of working? In my alter
ego as an explorer of all things video I see equipment which is both compact
and easy for the operators to work. I really think that the day has come when
if an engineer wants to control something large and ostentatiously powerful
then he should buy a Harley Davidson. As you would expect of a digital console,
the ‘works’ are all in a rack that can be hidden in a cupboard somewhere.
A well air conditioned cupboard that is, since the system may draw around 5kW!
A side effect of having the electronics somewhere else is that the control surface
is cool running. No longer do you literally have to sweat over your hot mix.
I noticed, as I also noticed in the case of the Yamaha DMC1000 I looked at last
month, that although the console looks modular at a first glance, it isn’t
modular on a channel by channel basis, but only in groups of twenty-four channels.
Once again, I don’t know whether it is possible or likely for a single
channel to fail, as it certainly is with analogue consoles. I suspect this is
just one more difference between analogue and digital that we will have to get
used to. If you’re in the mood for speculation, let me throw you the idea
that someday we might not think about everything in terms of channels as we
do now. Already, hard disk recorders are blurring the distinction between channels
and events and perhaps in the future we might think more about instruments and
what they are playing, or characters and what they are saying, rather than on
constraints imposed by the equipment.

With any assignable console, there is always likely to be the problem that
some of the settings you have made are currently hidden since you are now using
the assignable controls for something else. Preferably there would be some attempt
to show you, in abbreviated form, the most important ones. Capricorn has a ‘function
indicator’ at the top of each strip which shows the functions you have
assigned. These include, as I mentioned earlier, expander gate, compressor,
limiter, filter, EQ and of course the movable insert point. It’s almost
a whole effects rack and patchbay in its own right. You can see from here whether
a function has been assigned, and then switch it into the audio path. Phase,
stereo mode and 48V phantom power are selectable here too. Operation of the
console is spread between the AFU and the strips. you will notice from the photos
a number of knobs on the strips. Oops, did I say knobs? Of course I meant Function
Assignable Controls, or FACs as AMS Neve describe them. The FAC does look pretty
much like a conventional knob but it doesn’t have any endstops so it goes
round and round, if you want it to. The position of the ‘knob’ is
shown by a ring of LEDs which can illuminate individually to show position or
en masse to indicate something like stereo width. Mostly you might like to use
these for gain, aux sends and pan or width, but you can assign EQ functions
to these as an alternative. One point that is worth a mention is that certain
of the FACs have click stops and others operate smoothly. Clicks, or detents
if that is your preferred word, are great for gain setting but they don’t
seem too good for EQ. I found that when I was trying to adjust EQ precisely,
judging by what I was hearing from the monitors, the additional sensory input
from the clicking knob put me off just a fraction. I don’t mean to say
that the knob clicks audibly, but the feel just doesn’t seem right. Perhaps
AMS Neve can devise some kind of electromagnetic clutch so that you can have
clicks when they are appropriate and smooth action when that would be preferable.

David Mellor

Producing The End Men

Producing The End Men

Another song and only one day to professionally produce it! Possible? Absolutely! The pros at Dubway Studios do it again recording the rock duo, The End Men, in this new episode in our Docutorial™ series we call SongCraft!

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David Mellor



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